Folk horror on film Malcolm MilesThis is the first scholarly collection to focus on the special importance of British cinema to folk horror. The chapters consider the artistic styles, historical contexts, cultural tensions and cinematic fears that distinguish folk horror from other forms of horror and from traditional ways of viewing the folk.
Cairo’s grand and dramatic urban reshaping during and after 2011 is reflected upon under the lens of a smaller story narrating everyday interactions of a middle-class building in the neighbourhood of Doqi
and Cultural History seek to demonstrate that the historiographies of these sub-disciplines develop in response to changes within society at large
Combining theoretical discussion and empirical illustration
analyses and film stills
from opera productions with sex offenders to psychodrama with psychopaths
and one of the highest grossing directors in Spain and Latin America
In this now classic textbook
The book contains new discoveries about Madeleine’s long and colourful life after the trial which confirm the view that it is only in fiction that the bad end unhappily
The book examines how students who learn to write plays and work with a professional playwright in residence empower themselves and gives instructors tools for teaching the process of playwriting in a way that makes space for the student voice
what is the reality of the story
presenting it is as a formally radical and innovative text
The chapters shed light on the multiple dimensions of the refugees’ urban experiences from the scale of the interiors to inner city neighborhoods and informal settlements
